When we talk about the golden age of jazz, it’s impossible not to mention the legendary instruments that shaped the sound of an era. One of the most iconic saxophones ever made was the Conn New Wonder I, a horn known for its rich tone, wide bore, and vintage charm. But what truly gave this saxophone its soul wasn’t just its craftsmanship—it was the hands that played it.
So, what famous jazz musician played a Conn New Wonder I? Let’s dive into jazz history and uncover the answer, along with the impact this instrument had on the sound of early jazz.
The Conn New Wonder I: A Saxophone Ahead of Its Time
Manufactured by C.G. Conn Ltd., the Conn New Wonder I was introduced around 1914 and remained in production until roughly 1924, when it was succeeded by the New Wonder II (also called the “Chu Berry” model).
Key features of the Conn New Wonder I included:
- Rolled tone holes (optional in earlier models)
- Large bore and bell for a deep, robust sound
- Split bell keys, a classic feature of vintage saxophones
- Elaborate engraving on the bell in many cases
- No front F key, common in modern horns
Its distinct, warm tone made it a favorite among early jazz players looking for an expressive and bold instrument.
Sidney Bechet: The Jazz Icon Behind the Conn New Wonder I
One of the most famous jazz musicians known to play the Conn New Wonder I was Sidney Bechet, the New Orleans-born saxophonist and clarinetist who helped define the sound of early jazz.
Bechet, born in 1897, was one of the first musicians to popularize the soprano saxophone in jazz. Although he also played the clarinet, it was his soprano sax playing that turned heads and shaped the genre. And during the 1920s and 1930s, he played on Conn New Wonder saxophones, particularly the soprano.
Bechet’s playing style was:
- Expressive and vibrato-heavy
- Melodically rich and improvisational
- Full of emotional storytelling, a true hallmark of New Orleans jazz
The Conn New Wonder I, with its wide tonal palette and lyrical voice, was the perfect match for Bechet’s unique musical personality.
Why the Conn New Wonder I Was So Popular Among Jazz Greats
The reason jazz musicians flocked to the Conn New Wonder I in the early 20th century was simple: it was powerful, reliable, and expressive. Here’s what made it stand out:
| Feature | Benefit for Jazz Players |
|---|---|
| Wide bore | Rich, warm, vintage sound |
| Responsive keywork | Easier to play fast phrases and solos |
| Solid build quality | Could endure the demands of live gigs |
| Affordable (at the time) | Accessible to up-and-coming musicians |
Many musicians during the 1920s and 1930s started their careers on Conn instruments, and although some later moved to brands like Selmer or King, the Conn New Wonder I had already made its mark.
Other Notable Users and Influence
While Sidney Bechet is the most prominent jazz figure associated with the Conn New Wonder I, many early jazz saxophonists likely began on this model or its contemporaries. In the pre-Selmer Mark VI era, Conn was one of the dominant saxophone brands in the United States.
Some jazz historians also speculate that early versions of the New Wonder were played by musicians like:
- Johnny Hodges (though he later used other horns)
- Frankie Trumbauer
- Coleman Hawkins (who later switched to other brands)
However, it was Bechet’s association that gave the Conn New Wonder I its legendary status among soprano players.
Modern-Day Reverence: Vintage Horns for Vintage Souls
Today, vintage saxophone enthusiasts still seek out the Conn New Wonder I for its classic tone and historical value. Though it lacks some modern ergonomics, it offers a unique character that’s hard to find in newer models.
Whether used for period-authentic performances or creative experimentation, the Conn New Wonder I continues to whisper the soul of early jazz into the ears of a new generation.
Conclusion
The Conn New Wonder I wasn’t just an instrument—it was a voice for jazz pioneers like Sidney Bechet, who used it to help shape the very language of the genre. Its bold, warm tone and unmistakable presence made it the perfect companion for artists pushing musical boundaries in the 1920s and beyond.
So, next time you hear a wailing soprano sax on a classic recording, you just might be hearing the unmistakable echo of a Conn New Wonder I—and the legacy of a jazz legend who gave it life.
